Ref.3563
Antique set of eight industrial boiler room doors

This antique set of eight industrial boiler room doors was made in France a the end of the 19th century. Hinges, handles and wheels are made of cast iron.

Ref.11458
Japanese style crystal engraved vide-poche and gilded bronze frame with elephant heads

Small crystal engraved vide-poche inserted in a gilded bronze mount imitating bamboo and figuring elephant heads. French work of the 19th century.

Ref.13054
Louis XVI oval mirror in gilt wood with a vase and flowers

This oval and beveled mirror made in the second half of the 19th century is a beautiful example of the Napoleon III decorative arts style. Finely chiseled, the decoration of the frame in stucco is inspired by the Louis XVI style, the mirror is indeed surmounted by a vase decoration adorned with a flowers bouquet and holding a laurel crown. From this central motif, flowers scrolls are escaping to fall on the sides.

Ref.13197
Louis XVI style trumeau with ribbon, late 19th century

This Louis XVI large trumeau painted in ecru was made in the late 19th century. It is adorned with a beautiful knoted ribbon and friezes of pears, ovum and ribbon.

Ref.12813
Large Louis XVI style trumeau with a flower garland

This large trumeau was made of wood and stucco painted in white in the late 19th century. The mirror is set on a frame composed of friezes and of which the top depicts a decor of roses branches knotted by a ribbon. The superior part of the trumeau shows a very beautiful decoration shaped as a flower garland on which we can recognize roses and which seems to be rolled around the frame edges.

Ref.13185
Trumeau in stucco and painted wood in the Regence style

Ref.15169
Louis XVI style trumeau with rounded top decorated with pearl friezes

Ref.15519
Louis XVI style gilded trumeau with rounded top decorated with a wreath of flowers

Ref.6050
Beautiful Louis XVI style fireplace with very rich decoration, sculpted in Carrara marble

This fireplace was crafted at the end of the 19th century in white Carrara marble. The material displays a fine grain and discreet grey veining. The overall design is in the Louis XVI style. The structure features a wide moulded shelf set on a straight entablature. The façade is arranged in three sections: a central frieze flanked by two long panels, and two console-shaped jambs resting on square bases. The opening is rectangular, framed by a simple surround that reveals a cast iron interior. The carved decoration is abundant and precise. At the centre of the frieze, a bouquet of flowers in high relief is tied with a ribbon; open blossoms, buds and small berries can be distinguished, each leaf treated individually. The side panels are animated with a regular scroll pattern: the volutes form medallions enclosing rosettes and small fruits, bordered by a string of pearls. Beneath the frieze, a central console (with leafy drop and small dentilled blocks) emphasises the axis. The jambs, shaped as consoles, are enriched with a long vertical panel: a vegetal drop with central braiding ending in a foliage motif at the bottom, while the top of each jamb bears a block decorated with a fleuron. The cast iron interior continues the vegetal vocabulary. The lintel carries a central trophy composed of a drum with its sticks, framed by branches tied with a ribbon. Each side panel shows a vertical motif of a stylised vase or bouquet placed on scrolls, within a beaded frame following the contour. On the floor, the rectangular hearth slab in white marble is decorated with three dark insets aligned across the front of the firebox, giving rhythm to the base. The ensemble combines classical order with rich floral decoration, characteristic of the revival of the Louis XVI style at the end of the 19th century.