Ref.3018
Set of oak carved panels with vitruvian scroll

This set of solid oak wood panels was made during the 19th century for a paneled room. A vitruvian scroll frieze is sculpted in the top of each panels.

Ref.3228
Antique Louis XIV style fireplace in Brèche marble

This antique Louis XIV style fireplace was made out of Brèche marble during the 19th century. The "Bollection", characteristic of Louis XIV style, can be seen in the opening of the fireplace. At the ends of the entablature, the spandrels are made up of moulded panels.

Ref.11863
Small set of parquet flooring Point de Hongrie

Set of 20th century Point de Hongrie parquet flooring. Size of the slats : 20.08 inch by 3.35 inch. The whole for a surface of about 12 m2.

Ref.13116
Pair of Louis XVI gilt bronze andirons

This beautiful pair of Louis XVI gilt bronze was made in the 20th century. They are adorned with ovoid shapes chiseled with laurel leaves on their upper and downer parts. The central bars are richly and finely decorated with motifs reminding of the Louis XVI style especially roses on the connection cube, resting on three tapered feet.

Ref.4196
Napoleon III style mantel in marble mosaic

This fireplace was made in the late 19th century in marble mosaic of different colours. Its header and jambs are adorned with stylized roses.

Ref.13257
Fireback with the French Coat of Arms

This fireback from the 19th century is adorned with the France coat of arms, the three Fleur-de-lys surmounted with the royal crown surrounded by palms

Ref.15003
Mathurin Moreau for the Val d’Osne Foundry, The Four Elements, between 1849 and 1879

The son and brother of sculptors, Mathurin Moreau (Dijon, 1822-Paris, 1912) is one of the most reknown sculptors in the 19th century. He won the Second Prix de Rome at the age of 21. He worked for the Val d’Osne art foundry between 1849 and 1879. He won numerous prizes at the Salons and at the Universal Exhibitions; in 1897, he was awarded a medal of honour at the Salon. The sculptor was also a committed public figure: he published an essay on poverty in 1851 and was elected mayor of the 19th arrondissement in Paris in 1878. He created the Four Elements as part of his collaboration with the Val d’Osne art foundry at the end of the 19th century. The elements are personified by putti endowed with various attributes and accompanied by animals or objects echoing the element they evoke. Air, with its cheeks puffed out, blows into a foghorn; it sits on the body of a lamb with its eyes closed. Water is crowned with a reed and holds a long stick; the putto is riding a large sea turtle. Fire is holding a lighted lamp. He places his foot on a salamander, an animal reputed to be able to pass through flames without damage, or even to be engendered by fire. Lastly, Earth is crowned with a pampre and holds a bunch of grapes in one hand and a sheaf of wheat in the other. She is placing her foot on a wineskin. The artist’s eye for detail is visible in the different treatment of each putto’s hair. While Earth’s hair is natural, Air’s is made up of swirling curls and pulled back as if by a strong wind; Water's hair is soggy and almost similar to seaweed, while Fire’s imitates flames. Our set appears in the catalogue of the Société anonyme des grands fourneaux et fonderies du Val d’Osne. In 1878, a Four Elements fountain was erected in Valence, based on a model similar to the one in the foundry’s catalogue: the four statues in the lower basin are identical to ours.

Ref.5660
Louis XV style Pompadour mantel in Blue Fleuri marble