Ref.0664
Monumental double door with fantastic decor

The two doors are divided into three parts. The top section presents an oculus or round window with the face of a fantastic character above; in the centre there is an oblong opening; the bottom of the wing of each door has moulded decoration. The glass panes are delicately engraved, but one of the four is missing. The figure above the oculus, half faun half devil, is holding between its teeth a garland of oak leaves that circles the small window and falls on either side of the main oblong opening below.

Ref.1028
Stained glass window from a chapel with Mary as central figure

19th century stained glass window from a chapel in Bordeaux signed Mauméjean, Neo-Gothic style. Representing three hieratic standing figures placed on pedestals each in a separate stained glass panel. The central figure, is an woman dressed in bright green, representing Mary Magdalena, on her left, the pondering figure of a saint holding a staff, and on her right dressed in Roman attire a crowned King holding a harp and singing up towards the skies, representing King David. Above are three rosettes, featuring the faces of flying angel with red and green wings. The colors of the stained glass are strikingly bright, the features have been painted with attention to detail. Unfortunately we were unable to salvage the stone frame. This stained glass window is one of three – see items # 1027 and 1029.

Ref.1400
Extraordinary monumental fireplace signed by Jules Allard and Louis Ardisson coming from the Berwind Estate, Fifth Avenue, New York

This extraordinary monumental fireplace was made out of Breche violette marble , Carrara Statuary marble , gilded bronze and green patina bronze. It was designed by Jules Allard for the Manhattan residence of Edward Julius Berwind, 828 Fifth Avenue, New York City, in 1894. Sculptures were realized by Louis Ardisson , french sculptor. The large low-relief representating the “Triumph of Neptune” is signed by both Allard and Ardisson : « J ALLARD ET SES FILS/INV » and « LOUIS ARDISSON FECIT ». A pair of gilded winged putti bearing Edward Julius Berwind’s monogrammed cartouche surmounts the overmantel, composed of an architectural frame molded with a copper-colored egg-and-dart friezes. This frame encloses a low-relief feature carved out of Statuary Carrara marble by Louis Ardisson featuring Neptune, surrounded by Nereids, dolphins and winged putti. The fireplace features a molded rectangular entablature adorned with a Statuary Carrara marble frieze also carved by Louis Ardisson , a winter allegory featuring putti and sleeping hounds, in a bronze frame that runs down on either side of the hearth. The mantel is flanked by a male Atlant and a female caryatid , with green-patinated bronze skin, hooded and draped in gilded bronze lion-pelts. They are exceptional by their monumental statue and quality achievement. When Edward J. Berwind moved to New York, he bought a large land on which he built in 1894 a sublime mansion at the corner of Fifth Avenue and 64th Street, only a few blocs away from Central Park and many wealthy neighbors such as William K. Vanderbilt, Cornelius Vanderbilt II, and Mrs. William B. Astor. For the interior decoration of this luxurious estate, he hires the famous decorator Jules Allard , a French established in the US in 1885. Jules Allard was then at the height of its fame : in collaboration with architect Richard Morris Hunt, he works for the wealthiest families of the East Coast of the United States, like the Vanderbilts. Thus he realized the decor of "Marble House", the summer residence of William Kissam Vanderbilt and his wife Alva in Newport, Rhose Island. Delighted with Allard's work, Edward J. Berwind hired him again in 1901 for the important decoration of his wonderful estate in Newport, "The Elms".

Ref.9796
Antique firedog with sphinges decoration in golden bronze

Empire style with sphinx decor, in gilded bronze from the 19th century. This item can also be attached to the " Retour d'Egypte " style (return from Egypt), with inciated Egyptomania .

Ref.10961
Antique fireback with jansenist decoration, 18th century

This antique fireback was made in the 18th century. At its center is represented the Jansenist badge with the three Theological Virtues. Faith is thus depicted as a blindfolded woman while Hope is represented by an anchor and Charity by a flaming heart. This medallion is surrounded by a Latin inscription "Ardet Amans Spe Nixa Fides" which means "Faith, relied on Hope, burning with the fire of Charity." This sentence appeared in the frontispiece of all Jansenists books. At the top, wa can see the Hebrew tetragrammaton. From either side of the medallion are the Cardinal Virtues : Fortitude, Justice, Temperance and Prudence. Jansenism is a movement first religious, then political and philosophical that develops in the 17th and 18th century in France and is based exclusively on the doctrine of St. Augustine. This doctrine develops mainly against the evolution of the Catholic Church and royal absolutism. This theological doctrine takes its name from Cornelius Jansen, Bishop of Ypres, who writes the founding text. An other fireback with the same model is known in the Abbaye of Orval, south of Belgium.

Ref.11930
Simple door with small mirrors

Single mirror door, available in 5 units.

Ref.11983
Large walnut sliding door

Large and antique walnut sliding door with railing. Beautiful arched model. 19th century.

Ref.12214
Antique fireback with Saint Andrew's Cross decoration dated 1824

Large antique cast iron fireback decorated with the Cross of Saint Andrew and dated 1824.

Ref.4127
Art Deco fireplace in marble stone

Art Deco marble stone fireplace with a bas-relief representing a fire scene, signed A. DUROZA.

Ref.4509
Louis XVI style curved fireplace in Bleu Fleuri marble

Beautiful Louis XVI fireplace made in the late 19th century in Bleu Fleur1 marble of which the veins brighten up the sober decoration and its straight lines soften by the curved feet.

Ref.5316
Napoleon III style mantelpiece with striated scrolls

This marble mantelpiece was made in the 19th century. Its lintel is smooth, and the dice are slightly protruding. The tops of the jambs form an “S” curve decorated with thin grooves. The lower parts of the jambs are smooth, just like the base, which goes slightly forward.

Ref.5434
Louis XV style Carrara marble mantel with shell design

Ref.5519
Regence style mantel in Campan marble

Ref.15302
Regency-style gilded trumeau with rounded corners

Ref.13532
Small oak cupboard door with frame

H. 115 cm / 45” 1/4 ; L. 66,5 cm / 26” 3/16 ; P. 2,5-7 cm / 1”-2” 3/4 (avec cadre) H. 97,5 cm / 38” 3/8 ; L. 49 cm / 19” 5/16 ; P. 2,8 cm / 1” 1/8 (sans cadre)

Ref.5825
Louis XIV style red marble mantel