Ref.0510
Oak mantle and trumeau with portrait of lady

The overmantel painting is a 19th century reproduction of an 18th Century portrait of a lady. The Louis XV style mantel is made of oak with sculptures of flowers, roses, shells, etc... The bottom of the mantel piece is 18th century. The top is 19th.

Ref.10098
Antique Louis XVI style pier glass with quiver and flowers decor

This Louis XVI style antique overmantel in wood and painted stucco was made in the 19th century. The upper part is adorned with a quiver and a flaming torch with crown of flowers.

Ref.11630
Antique Louis XVI style trumeau with floral basket decoration

This Louis XVI style trumeau was made in the 19th century out of wood and stucco. Painted in white, it features a decoration of a flowery basket, garland of flowers and ribbons.

Ref.4073
Antique Louis XVI style fireplace in Bleu Turquin marble and statuary marble

Antique two tone Louis XVI style fireplace, carved in the 19th century in Blue Turquin and statuary marble with a beautiful frieze running along the entablature and square rosettes at the ends, and on the jambs carved with fluting

Ref.13338
Small Louis XVI style trumeau with an oil on canva depicting a romantic scene

This small wood and stucco painted in white trumeau, is depicting a Louis XVI style sculpted decoration composed of frieze of pearls and square roses. It was made in the late 19th century and is also adorned with an oil on canva on which we can see a romantic scene. A young couple is dancing on a forest landscape on the foreground. They are accompanied on the background with a woman and two man sat behind them, on of them is playing some flute while the other are listening to him carefully.

Ref.5005
Louis XIV style mantel in Red of the North marble

This Louis XIV style mantel was realized in the second half of the 19th century in Red of the North marble. It has a continuous molding, called a "bolection", characteristic of this style. The perfectly rectangular shape of the frame is derived from the shapes in vogue under Louis XIII and then Louis XIV. The mantel is crowned by an acroterion derived from ancient architectural vocabulary, panelled and adorned in its centre with a circular medallion.

Ref.5576
Louis XVI style mantel in Arabescato marble with pearl entablature

This Louis XVI-style fireplace in Arabescato marble features beaded and geometrical friezes, elements often found in the Louis XVI style. The band of the fireplace is adorned with these friezes. The central geometric frieze is framed by a small rectangle, which in turn is framed by a larger rectangle of pearls. These two rectangular friezes cover the entire band. On the console part of the leg, acanthus leaves are arranged to form a flower motif with its center in relief. The rest of the leg is curved, leaving places for scrolls on the sides. The face of the leg is fluted with three flutes. The central one features a motif echoing one of the band's geometrical friezes. The fireplace is carved in Arabescato marble, a white marble veined with gray or black. It is one of the white marbles of Carrara, and its main quarries are located in the Carrara basin in Italy, at Seravezza Lucca.

Ref.5858
Napoleon III style fireplace in sculpted stone, with plant decoration

Ref.5443
Beautiful Regency style fireplace, in a superb Royal Red with lots of veins

This fireplace was crafted in Rouge Royal marble, a rich and nuanced material. Its surface shows a deep red background traversed by white and grey veining, creating a lively, contrasting effect that enhances the sculptural work. The overall form follows the codes of the Régence style. The mantel shelf is straight and slightly projecting, supported by a moulded entablature that curves gracefully around the opening. The firebox is tall and semi-circular, emphasised by an accentuated curve that continues into the jambs. These rest on a simple, massive rectangular base. The carved decoration remains restrained, focused on the mouldings. The entablature is enlivened by a play of profiles and chamfered angles forming discreet rectangular frames, visible on the side panels and jambs. These geometric lines lighten the structure without diminishing its imposing character.

Ref.6130
Louis XVI period fireplace in blue turquin marble, with molding decoration